CDSA

NAB 2019: Moving Editing Workflows to the Cloud Offers Many Advantages, Azure’s Sloss Says

[svg-table-content]

LAS VEGAS – As the scale and volume of video content continues to grow, it’s becoming increasingly advantageous for editors to move their workflows to the cloud, and ongoing concerns over security in the cloud tend to be misplaced, according to Joel Sloss, senior lead for media & entertainment–security at Microsoft Azure.

Editors used to be able to air-gap their edit bays, but the scale and volume of content today means they need geometrically more capacity, and the logical answer is the cloud.

Today, “it’s not just editing” when one is looking to using cloud services for media and entertainment workflows, Sloss said, April 7, during the Cybersecurity & Content Protection Summit session called “Get it to the Cloud (Evolving Your Edit Pipeline)” at NAB 2019. 

Instead, he said: “It is really about doing post in the cloud because it’s editorial, it’s asset management, it’s VFX, it’s distribution – all of the different pieces that are coming into a post workflow.”

There are many reasons to think about the cloud for post-production work, but he said: “To a certain extent, that decision has already been made… Because of the scale of the content,” which has already grown from HD to 4K to 8K and will grow to 16K, “a lot of times the only option is to find some kind of an external source for that kind of infrastructure.”

At the same time, “we’re becoming more of a global community,” he said, noting that productions today often use multiple editors and other creative people working together from multiple locations. “You have to work with people around the world,” and cloud services make it a lot easier to accommodate that, adding much more flexibility, he said.

Security requirements have, meanwhile, become more complex and we’re all having to figure out “how do I protect the content now as it’s flying all over the world,” he said.

Avid discussed some of these same issues at its Connect 2019 conference in Las Vegas the same week, he said, noting that company “started moving a lot of their systems and collaboration tools and editing tools.” At its event, Avid pointed to ongoing “fear about moving to the cloud” because of issues including security, he said, but added: “The fear is not of the cloud, but the fear is of what you’re doing today is not secure enough.”

With cloud services like Microsoft Azure, “you’re getting the benefit of security at scale,” he said, explaining: “Instead of you having to hire all the teams, build all the infrastructure, do all these thing in order to be” compliant with regulations, “it’s there [already because] Avid has done the work, we’ve done the work in the cloud and we’ve partnered together to build this ecosystem where everything just plugs together and just works” across all regions.

And those who turn to services like those provided by Azure and Avid get the added benefit of being able to access new capabilities including artificial intelligence (AI) processing and virtual browser-based workstations with High Dynamic Range (HDR), 4K Ultra High-Def and High Frame Rate (HFR), according to Sloss.

Co-produced by the NAB Show and the Content Delivery & Security Association (CDSA), the Content Protection & Cybersecurity Summit was presented by SafeStream by SHIFT, Akamai, IBM Security, Microsoft Azure, Convergent Risks, the Digital Watermarking Alliance, the Trusted Partner Network, and produced by the Media & Entertainment Services Alliance (MESA) and the Content Delivery & Security Association (CDSA), in cooperation with the NAB Show.